- Smashwords: 300 books. About one block purchase/15 days this last year. Knew the place thanks to a friend who published there, and that was my very first purchase with them. Bad design, annoying copyright disclaimer, annoying interface on many levels... And yet...
- OmniLit/AllRomance: 40 books, in two years almost to the day. Annoying file options, limited choice, adequate design.
- Baen: 250. Through several years and, at least, two server software migrations. Can't tell for how long I've been there (at the very least since '08, when I changed my email account). My business with them has been a tad crippled since their price and opportunities decissions a couple of years ago (and their communication, which was well below their par). They design their web the way they design their books. Time-travelling, functional 80s. Well, 90s: it's html, after all.
- Subscriptions: 100 aprox, to this and that, here and there.
- Fictionwise: 2. A Bujold-Vorkosigan novella and a Vachss novel. I had to download the second one from a pirate site after several hours against DRM.
- Amazon: 2. One of them, I got the epub file from the writer after checking my transaction. The other one is pretty much lost, a technical book (Hennesy/Patterson's "Quantitative") that's suffered about the same fate as Vachss, downloaded from a university's FTP site. Oh, piracy! Oh, woe! Oh, toe!
- Writer's sites and small enterprise/coop publishers: unknown. Things by Barnes, Konrath, Stackpole, Howey, Rusch, and many others.
Asking for exceptions for book publishers in the name of Culture is like asking for exceptions for high furnaces in the name of Chillida.
jueves, 18 de septiembre de 2014
Against the Kindle experience?
With all its success as an e-store (for me, overwhelmingly a hardcopy e-store, but I'm likely a minority, these days), I still profoundly dislike the... er... Kindle experience.[*]
How much? Something like this:
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